The Scottish Album of the Year Award 2018 is now open for entries, with artists, labels and music fans
now able to submit eligible albums to The SAY Award website to be considered for this year’s award. The award has no categories, and is open to all genres of music. Eligible albums must have been released between 1 April 2017 and 31 March 2018, with the submissions deadline being 23.59hrs on Thursday 31 May.
Since its inauguration in 2012, The SAY Award has grown to become Scotland’s most popular music prize. Developed by the Scottish Music Industry Association (SMIA) with support from Creative Scotland, The SAY Award offers one of the UK’s most lucrative prize funds and champions the extraordinary strength and diversity of Scotland’s musical landscape. Confirmed partners for 2018 include Renfrewshire Council, Paisley.is, Creative Scotland, TicketWeb, PPL and Help Musicians Scotland.
Once all eligible albums have been collated, 100 impartial ‘Nominators’, chosen from sectors including journalism, broadcast and radio, music retail and venues that host live music, will consider the titles from The SAY Award’s Eligible Albums list, nominating their five favourite albums and ranking them in order of preference. ‘Nominators’ include specialists in a variety of genres, such as jazz, classical, electronic and traditional folk, as well as key influencers from elsewhere in the arts. The SMIA assigns a score to each title in a Nominator’s Top 5, before announcing the 20 highest scoring albums as The SAY Award Longlist for 2018.
The Longlist is then whittled down to a Shortlist of 10 albums, one of which will be chosen by music fans via an
online public vote and the others decided by The SAY Award judging panel. Previous judges have included the
composer Craig Armstrong, Turner Prize winning artist Susan Philipsz, Edinburgh International Festival Director Fergus Linehan, Sub Club Partner/Director Barry Price and Scottish Ballet’s Sophie Laplane.
The SAY Award Ceremony will take place on Thursday 6th September, returning to Paisley Town Hall for the third consecutive year. The winning artist will pick up a £20,000 cash prize, with the nine runners up each being awarded £1,000. Each Shortlisted artist will also receive an exclusively designed piece of artwork from the SAY Award Design Commission.
Robert Kilpatrick, General Manager at Scottish Music Industry Association, said: “Now in its seventh year, The SAY Award has illuminated Scotland’s music scene with the ambition, credibility and commitment it so richly deserves. Having now championed 120 Longlisted albums and distributed £174,000 in prize money, the impact of The SAY Award is indisputable, and we look forward to seeing the award continue to celebrate, promote and reward outstanding Scottish records in 2018. We’re delighted to be returning to Paisley Town Hall for this year’s ceremony, the third year of a fantastic partnership with Renfrewshire Council, and we look forward to announcing some exciting details around this year’s campaign very soon.”
Louisa Mahon, Head of Marketing, Communications and Events at Renfrewshire Council, said: “The SAY Award is one of the most prestigious dates in Scotland’s musical calendar and we are very excited that Paisley will host this event for a third year. The town is home to a thriving music scene and is a hotspot for cultural and creative talent, so hosting an event of the significance of The SAY Award helps to showcase what Paisley has to offer. The stunning surroundings of Paisley Town Hall will make for another momentous night and we look forward to welcoming the country’s music industry back to the town in September." Previous winners of The SAY Award are Bill Wells and Aidan Moffat’s ‘Everything’s Getting Older’ (2012), RM Hubbert’s ‘Thirteen Lost & Found’ (2013), Young Fathers’ ‘Tape Two’ (2014), Kathryn Joseph’s ‘Bones You Have Thrown Me And Blood I’ve Spilled’(2015), Anna Meredith’s ‘Varmints’ (2016), and last year’s winner, Sacred Paws’ ‘Strike A Match’, the critically acclaimed debut album which joyously blends African rhythms, post-punk guitars and indie-pop.