Matthew Bourne returns to the King’s Theatre this week with his powerful interpretation of Tchaikovsky’s Swan Lake, reworked for the 21st Century. The story retains most of the classic elements of the traditional fairy tale. The handsome prince (Dominic North), bored and deprived of affection from his mother, the cold-hearted Queen (Nicole Kabera), is growing weary with the endless rituals of royal protocols and engagements.
Heartbroken after realising his gaudy and flashy girlfriend has been paid off by the Royal Secretary, he runs away to the lake ready to end his miserable life. At that moment he encounters the majestic and powerful Swan (Max Westwell) with whom he falls in love and begins a descent into madness where reality and imagination collide and ultimately leads to tragedy.
While Bourne is known for “expect the unexpected”, the decision to include an all-male cast of swans was considered brave when this production first debuted 23 years ago.
While ballet purists where aghast at the contemporary modernisation, Bourne’s vision quickly became a cult classic, selling out theatres across the world and collecting over thirty international accolades including an Olivier Award in the UK and three Tonys on Broadway.
In true Bourne style the storyline mixes a dark and twisted plotline with moments of comedy and humour. Katrina Lydon provides most of the comedy moments in her portrayal as the Girlfriend. Lydon plays a sassy if a little bit brash and out of her depth caricature which has the audience laughing throughout. There was also some subtle comedy moments such as the sign at the lake “Don’t feed the swans” and the cute royal corgi dog tottering across the stage.
There is no doubt that the ultimate star of the performance is Max Westwell who plays the Swan/Stranger. His technique and charisma as the Swan is faultless – dangerous yet commanding with awkward yet realistic movements which mimic the movements of a swan.
The choreography is beautiful and allows him to showcase his incredible talent. He is masculine and sensual in the role of the Stranger, with an aura of swagger and charisma as he seduces the females in the ballroom much to the horror and distress of the lovesick Prince.
Westwell is supported by a strong cast of dancers as the swans, graceful in their routines and innovative in their movements. As the drama and tension builds, so does the energy and passion on stage.
A special mention for the set and costume design by Lez Brotherston. The glitz and glamour of the Royal scenes contrast with the striking muted colours of the swans and the interactive and modern staging.
A visually and emotively compelling production with impact.
Matthew Bourne’s Swan Lake is at The King’s Theatre Glasgow until 9 March, then continues on tour.